Here on Earth app featured in ‘this week in digital‘ from Publisher’s weekly and Galleycat does us a solid with an updated version of the story they ran the other week. If you’re a journalist or reviewer and you’d like a promo copy of the app, shoot us an email and we’ll be happy to oblige!
The final animation — part three of three — is up on youtube. This short looks at the big picture: how the earth came to be, what we have done to change it, and the hopes we have for the future. And all is 90 seconds or less. Hope you enjoy.
Charles Darwin waited twenty years before gathering the courage to publish On the Origin of Species. As soon as he had returned from his voyage on The HMS Beagle, he understood how profound his idea was. His idea ate him up from within… It made him lose faith in God and forced him to rethink everything he thought he had known about the natural world. But when another scientist, Alfred Russel Wallace independently arrived at the same concept, and was on the verge of publishing it himself, Darwin let his theory free. The world would never be the same.
In this short animation from Erik Loften, we examine Darwin’s Fears.
Erik Loften did a brilliant job on this one (well, on all of them, really) check it out here.
Wonderful review by the Chicago Tribune for Tim’s book… I like the headline (though it could also sound like the headline for an Onion article)…
I probably spend more money on music every month than I did in college, when I went to the CD store every week — but all of the money is spent on live shows. The music itself, I download or stream or copy from friends. It’s almost as if the album has become an advertisement for the live show…
Movie’s are doing fine, too. Going to the movie theater is about the experience and, despite ridiculous claims by the RIAA and others about how Media Piracy costs the industry $75 trillion (yep, with ‘t’), many reports, including the recently released and pretty definitive one by the SSRC, prove that in many cases piracy boosts legitimate ticket sales.
But with books, it’s different. As Margaret Atwood points out so well, no one’s going to pay to see an author dressed in gold latex emerge from a giant egg. The act of reading is solitary and anti-social. The experience, the reason why we do it, is to be alone… A a rainy day, a fireplace, a bay window, the English countryside.
Or is it?
Sometimes, I read obscure books because I enjoy them, or to help explore a topics I alone might find interesting, but sometimes I watch scandinavian film noir by myself, or listen to free jazz on the hifi with a glass of scotch… Just because I do something alone, doesn’t define the genera.
So it is with reading. Much of what we read is done socially. We read so that we can use these ideas to engage our friends, we read to have a book that we can talk about, we to engage others — we do not read in a vacuum. That’s the power of the NYT Bestseller list… We read to be part of a community of readers.
If this is the case, can books be given away for free, while charging people for the social experience? Author events are never going to replace books sales, but what about author-led book clubs? Could we charge for the cocktail party experience where books are discussed? Should we start to think about advertising or sponsorship for books or series?
New business models will have to arise to confront a near future where book prices are a fraction of their current cost. Or even free. Trying to stop this from happening is, at best, a distraction from developing these models.